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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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克里斯汀·库亚斯·托普 埃利奥特·克罗赛特·霍夫 格伦·利斯·迈斯特 佩特琳·阿格 Lena Bondeson Diêm Camille Rikke Hagenberg 约恩·霍耶什莱夫 多尔特·回斯特德 Bodil Lassen Lin Ly Thomas Søndergaard Rikke Westi
修道院内,一切看来是那么宁静。爱玛快将宣誓晋升为修女之际,疏远已久的哥哥艾力突然到访,要求亡父遗产分一杯羹。妹妹是天使,艾力只是酗酒废青,神憎鬼厌。爱玛的静修被打扰,过去暗黑秘密亦逐一浮现。即使向
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Anna is a 35-year-old single mother and a paramedic. One morning, as Anna is on the way to drop he
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霍莉幸运地在一场致命大火发生的当天逃学了,她的直觉很可能救了她的命。而且她的直觉似乎还带有一种神奇的力量,可以帮助悲伤的人,这让霍莉这个不合群的高中生有了一种归属感,也获得了一种新发现的力量。
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帕特里克·伊冯 莫妮亚·肖克里 娜迪亚·特列什科维奇 史蒂夫·拉普兰特 Hubert Proulx 斯蒂芬妮·穆卡泽尔 Nathalie Breuer Patrice Dubois 伊芙·杜兰索 詹妮薇芙·博德特 Patricia Lanoie Adina Darie Valerie-Pascale Bourque Amélie Grenier Avarda Étienne Linda Brodeur Varda Etienne Alphé Gagné Anne-Valérie Bouchard Léa
After a sexist joke goes viral, Cédric loses his job and embarks on a therapeutic journey to free
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《侏罗纪世界3:统治》是由科林·特雷沃罗执导,克里斯·帕拉特、布莱丝·达拉斯·霍华德、杰克·约翰逊、杰夫·高布伦等人主演的科幻冒险电影。影片为《侏罗纪》系列的完结篇,讲述了自从恐龙已经进入了人类世界,
恐龙世界史诗终章来袭!